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I
have to share something more about Charlie Parker with you - I know
everyone at DRC thought he was good. I thought so too - only on
a very special level. Charlie Parker was, as far as I am concerned,
THE God of all Program Directors, past, present or future.
I've
had PD's who've stomped their feet and yelled and actually said
"watch my lips!" (that guy now drives a rig I am told and chews
tobaccy). I had to have a PD restrained for six months by the GM
so a morning partner and I could just do our show. I've had people
tell me they expect me to write a topical show a week in advance
so there are no surprises to them - BUT BE TOPICAL AND CURRENT!
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worked for Plenty 'o P.D. Assholes but I'm privileged and honored
to have been able to have worked WITH Charlie Parker. Charlie
Parker never yelled at me, never berated me, never went over
an aircheck with me, never wrote me nasty notes. In fact never
wrote me any notes. He did however, stay real late a couple
times a month and because I was always there by eleven we'd
get together for chats in his office. We had conversations.
We became friends. I asked him about the good ole days and he'd
tell me about the Turkey Giveaway where they actually dropped
frozen Turkeys over Hartford from Helicopters and how badly
that went over cause they just smashed on the ground. We talked
about the weather and my life and his kids. We'd talk concerts
and records, about things going on, promotions in the works.
He'd tell me about what DRC was all about and he would often
tell me about its unique place in radio history. |
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He
also had me believing that he actually felt I had a unique
spot to play at DRC cause I spun several formats intertwined
within one shift on the overnights which had a huge combined
am/fm audience and he'd just tell me that.
Charlie
would call me up sometimes too at three or four in the morning
and let me know he dug a segue, enjoyed the news and the goofy
kicker I found, or he'd just call to say hello and let me
know he was listening and paying attention to what I was doing
there.
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In
our in-office conversations Charlie'd just suggest I consider stuff
- "turn down your cans" - "be aware of your different audiences"
- the factory people, the hamburger stands, the nurses and party
animals, those who got up real early..etc etc. and he challenged
me to make the flow invisible. I would start at midnight bringing
two dynamically opposite stations together then blaze along as some
sort of weird hybrid rockin out with AC/DC and Robin Trower till
about 4 am yet by morning I'd have Paul McCartney singing love ballads...and
I enjoyed it.
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The
only thing he ever got stern with me about was after about the
eighth and last time that George Schiebner of WPLR and I had
played the same hour of music almost simultaneously between
3 and 4 am together - and I mean together - I mean with 1 or
2 seconds difference between our two programs - so that if you
switched back and forth between the stations you'd be in the
same line of the song. We did this just for fun and because
we could and we'd always been great friends and we figured that
it would be fun and no one would ever catch on. Well Charlie
did. And the night he called me about it he let me know very
simply that I "should not do that anymore" but that he had enjoyed
the first five or six times he'd heard it. |
Funny
too, I do remember the first time that I finally figured out how
Charlie worked. He planted seeds in conversations. These seeds would
lie dormant for a week or so and then suddenly take root, grow and
blossom all at once. I'd come up with something! or I'd think of
some way to change my delivery! I'd come up with a bit...and...
Oh - No! - I'd realize all of a sudden that Charlie had prodded
me to this idea a couple weeks back. Charlie's seed had blossomed.
And often it was one of those "Duh" kind of things.
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Charlie
was a good guy. I remember years later talking with Lee Michaels
(of the Lee Abrahms bunch - he's now deceased also - hit by
another car while backing out of his own driveway...) about
Charlie. Lee admired Charlie tremendously and credits a couple
conversations he'd had with him at NAB conventions with pointing
him in certain directions.
I
remember when I first got the offer to come out to Hawai`i
and I went to talk to him about it. I was very nervous and
a little ashamed.
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I mean
I was leaving BIG D on my own accord. But Charlie, he was thrilled
for me. I remember him grabbing my hand to shake it furiously while
beaming from ear to ear with that Charlie Parker Cheshire Cat Grin.
He thanked me for all my hard work and told me on the Q.T. that
the FM format wouldn't be around too much longer and that my leaving
was quite fortuitous cause all us rockers (including yours truly)
were practically scheduled to be fired somewhere in the next four
or five months.
Robert
Abbett, January 15, 2000 (e-mail)
Read
more comments on Charlie Parker from Bill
"FM" Stephens and Jack
Lawrence.
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